Plan to Recover Argentine Films

Based on the information gathered from among all the Directors and Titleholders represented (over 1,125 to date), which basically involves all cinematographic works, DAC was able to determine the true and alarming state of preservation of the Argentine audiovisual heritage. These works must be saved, both those that were originally recorded using 35 or 16 mm negative film, as well as those recorded digitally that are stored provisionally in the most varied, unstable and insecure formats and media.